lydianchromaticconcept.com

Like the title says I want to share to the group some stuff I recorded using this Concept. Check this out:
https://www.dropbox.com/sh/7awx0uco9zsw ... C3%B3n.wav

I play tenor sax....

Good!!!

Really nice! You have some Trane in your tone but I like how you have your own voice. Can't wait to hear more!

What can I say? Thanks for your nice comments!!! I willl post another piece of this project, in the beggining rounds of improvisation I don´t use LCC but then I do, hope you enjoy it...https://www.dropbox.com/sh/7awx0uco9zsw ... ita%20.wav

Beautiful!
Could you share a bit what your doing in your mind when you use LCC and when you're not?
All the best,
m

Well, thanks again!! Talking about what resources of LCC I use in example, in the first tune "Sagrado Corazón", in the first round I opted to beguin with some "traditional" stuff, most of it are pentatonics in all forms, but in the most of the tune, which harmonic structure is very simple: Db7/G7/FMaj#11/FMaj#11
Db7/G7/FMaj#11/FMaj#11
E9/E9/ B7/B7
Db7/G7/FMaj#11/EbMaj#11
I use (I share with you one option to figure it out): F Lydian Augmented in Db7(taking this chord like a +V of F) and the same scale over G7 (taking this chord like a II of F) and F Lydian b7 for FMaj#11. This for the first line of the tune. Then I use Ab Lydian Auxiliary Dimished for Db7 (taking this chord like a IV Secondary Modal Genre of Ab) and the same scale over G7 (taking this chord like a VII of Ab) and Bb Lydian over FMaj#11 (taking this chord like a Vh of Bb). Then I use D Lydian Auxiliary Dimished Blues over E9 (taking this chord like a II of D) and A Lydian Auxiliary Dimished over B7 (taking this chord like a II of A). And in the last line I return to F Lydian Augmented over Db7 and G7 and Eb Lyd over Eb#11. This is it....

Many thanks. I'm not at the level to be able to catch all this just by ear.
It helps to see it analyzed like this. I'll play with it a bit...
All the best,
m

Thanks!!!