lydianchromaticconcept.com

If we want to discuss any specifics of Brent's counter-arguments, then let's isolate them and discuss them individually. what do you think of Delamont's or Hindemith's theories? who do you think gets it right? Get *what* right? Are you specifically referring to "Harmonics Generating Harmonics&...

Jeff doesn't take into account that each note has it's own set of overtones. C has an immediate overtone of G, G has an immediate overtone of D, D has an immediate overtone of A, etc. all the way up to F# All of George Russell's other proofs of the Lydian mode may be unsound (I'm not saying the are...

The harmonic minor is very briefly addressed in the LCC book as the Lydian b3 Scale [b6th mode of the harmonic minor] and as the Lydian Dim b7 Scale [4th mode of the harmonic minor].

Do you need the page numbers?

Jeff, have you ever read the book Lies My Music Teacher Told Me? Nope. But I did take the time to read all 22 reviews on Amazon (which have a number of mixed opinions). Please include whichever quotes you think would be relevant to this thread. Why do you think the so-called Lydian Dominant scale (...

"as instructed" - instructed by whom? can you honestly state that your posts do not appear to have an agenda? In the first few lines of the Foreword, it is stated "... it is strongly suggested that you give these ideas your complete openness and attention and ... let go of your preco...

I meant the chart Page 2 30 - (sorry for the typo). ~ If (as motherlode says) the glaring inaccuracies of the "Overtone Series" chart on page 2 example I:3 are a "time worn" issue, that strongly implies that GR is completely aware that that pg2 exI:3 chart contains significant er...

we may infer that the 11th overtone at 5.51 half-steps is ever-so-slightly closer to an augmented fourth I would amend the above to read "we may infer that the 11th overtone is ever-so-slightly closer to a tempered augmented fourth (but the natural perfect 4th is, in fact, closer) " the f...

While the above laws of physics are expressed mathematically, I am concerned about the statement on pg 224, that says "something so powerfully evident in nature" couldn't be kept a secret. Doesn't the term "so powerfully evident in nature" directly mean "the laws of physics&...

Using A440 (4A) as the point of reference, we have: 440Hz X 11 = 4840Hz (the 11th overtone) Tempered 8D = 4698.64Hz (a distance of 141.36Hz away from 4840Hz) Tempered 8D# = 4978.03Hz (a distance of 138.03Hz away from 4840Hz) This means that tempered 8D# is only 3.333Hz closer than tempered 8D to the...

Why is it stated that the 11th overtone is an F# (#4), when the 11th overtone actually sits squarely between the F (IV) and the F# (#IV)?

Also why is it stated that the 13th overtone is an A (majVI), when the 13th overtone is actually closer to a b6?

Thank you