lydianchromaticconcept.com

You´re welcome Bob!!! I´m using this "concept" in my last compositions, I will try to record it with my band and I will share with you for your consideration. Thanks!!!
Fer

Hi: I´ve been working on "Tonal Gravity Chart of a Lydian Chromatic Scale", and I arrived to a new insights in the use of the theoric material of the Concept. I parallel with this I´m using Bartok axis sistem in improvisation, and based on this last one, in example C tonic can be used in t...

@CN, in your precedent post you were saying melody, bass, chords and voice leadings intersect/superimpose vertically and horizontally (resolving tendencies). I quite don't get why are we often looking at the lydian tonics for the chords (or groups of chords) rather than looking at the successive in...

FYI, the chart posted by Joe is from the old book and therefore follows the "old" order of Tonal Gravity. The new book has a revised order of Tonal Gravity, however there is not a new chart of Tonal Gravity (intervals) in the new book. Somewhere on this forum I had made up this chart rela...

Thanks Chesper!!!! I will check where do you posted this new organization of the chart. I feel that this "interpretation" is very interesting, but I feel more comfortable with scales, since I can´t figure the real application of this other point of view in the regular practice over a tune ...

Hi people: I wonder if some of you are in The Lydian Chromatic Concept group on FB??? If do you don´t know it, I really encourage you to join it. I recently discover a new insight, almost for me, of use of this Concept. It´s stated by Joe Giardullo, great soprano sax player and devoted user of the c...

Hi: I was reading yesterday about the concept of pandiatonicism, described this way: ...is a musical technique of using the diatonic (as opposed to the chromatic) scale without the limitations of functional tonality. Music using this technique is pandiatonic. (see Wikipedia). I don´t know exactly ho...

Thanks Chesper!!!!! I hope do you like it.......it was a big effort to achieve at last this new material, but I´m very happy with the goods reviews he has until today.....Greetings from Argentina!!!
Fernando

Hi my dear people in LCC forum, here is the link to hear my new jazz album, with some material using LCC and some another more traditional.....I hope do you like it....https://www.reverbnation.com/fernandocarranzajazzproject3 Fernando Carranza Jazz Project | Jazz from Cf, AR Jazz | Cf, AR reverbnati...

I can´t access Isaac, can do you put it in some other way to see/hear it? thanks!!!

Fernando you say your hear the voicing top down D Bb f d c Ab sounds more Bb9 chord than a Ab9b5, even with a Ab in the bass ?! that's interesting. Yes, it´s the third invertion of Bb7/9 chord with Ab in the root.....Bb9/Ab, and for me it´s a II degree of Ab Lydian Scale in his most ingoing associa...

This voice collection sounds more close to me like a Bb9 chord than a Ab9b5....

Great answer Chesper!!!! It´s a pleasure to your explanations in all of narrow questions about this Concept....

if you look at chart A but the explicit voicings given in chapter II (4th ed) you get GR sometimes voices seventh chords without major third, as if a seven chord doesn't really need that tritone to sound seven (bluesy !??) for instance a minor7sus(add9) chord in C lydian (bottom up) D E G A C, soun...

Yes, you are so right!!! Forgive my confussion please, and going again with A7#9 I can understand your doubt, and searching again at the posible scale I arrive at the VII degree of Bb Lydian dimished.